What are the instruments used in The Nutcracker?

The ballet is scored for a large orchestra consisting of 3 flutes (2nd and 3rd doubling piccolos), 2 oboes, English horn, 2 clarinets (in A, B-flat), bass clarinet (in A, B-flat), 2 bassoons + 4 horns (in F), 2 trumpets (in A, B-flat), 3 trombones, tuba + 4 timpani, triangle, tambourine, cymbals, bass drum, tam tam.

What are the musical elements used in Nutcracker Suite?

Instrumentation: 3 flutes, 3 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp, strings.

Who invented The Nutcracker?

Wilhelm Fuchtner
In 1872 Wilhelm Fuchtner, known as the father of the nutcracker, made the first commercial production of nutcrackers using the lathe to create many of the same design.

Where is The Nutcracker doll originally from?

Germany
Nutcracker dolls originate from late-17th century Germany, particularly the Ore Mountains (German: Erzgebirge) region. One origin story attributes the creation of the first nutcracker doll to a craftsman from Seiffen. They were often given as gifts, and at some point they became associated with Christmas season.

Why is nutcracker associated with Christmas?

According to German folklore, nutcrackers we given as keepsakes to bring luck to the family and protect the home. It is said that they represent strength and power and watches over the family keeping evil spirits and danger away.

When did Tchaikovsky compose The Nutcracker?

listen (help·info)) is an 1892 two-act ballet (“fairy ballet”; Russian: балет-феерия, balet-feyeriya), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann’s 1816 short story “The Nutcracker and the Mouse King”.

Why did Tchaikovsky write pas de deux?

Upon learning this, Tchaikovsky was angered by the idea of a Minkus composition being inserted into his ballet score, so he composed a new pas de deux for the ballerina, even matching the structure of the Minkus piece so that she would not have to change Petipa’s choreography.